倒计时

倒计时

本片由6080提供播放

剧情片
立即播放
导演:
上映:
1969
更新:
2024-10-29 10:53
剧情:
The story appears simple on the surface, but is revealed, especially after multiple viewings, as mo..
量子m3u8 bfzym3u8

猜你喜欢

贝尔法斯特
2021 8.0分 剧情片
凯特瑞娜·巴尔夫、朱迪·丹奇、杰米·多南、塞伦·希德和新人裘德·希尔主演,讲述1960年代末动荡时期,一个在贝尔法斯特长大的男孩的故事。  多南和巴尔夫饰演一对富有魅力的工薪阶层夫妇,他们陷入了混乱局势中,丹奇和希德饰演诙谐活泼的祖父母。
已完结
狙魔女杰:复仇
2024 7.0分 剧情片
  No matter how many changes the TV industry goes through, it simply cannot keep down a certain whiskey-loving badass and her crew. Vanity Fair can exclusively reveal that Wynonna Earp, the beloved d..
HD
荒村阿狗
2023 10.0分 剧情片
  童年玩伴阿狗和米哈尔住在法国南边的小村庄里,成天一起混。为了消磨时间,米哈尔时常毫不留情地数落阿狗。但这个夏天很不一样:阿狗遇见了艾莎,爱情在他们之间萌芽。嫉妒啃噬着米哈尔,而这两个朋友之间拉开的距离,将使他们彼此成长,找到自己的定义。
HD
欢乐集结号
2009 9.0分 剧情片
《欢乐集结号》在娱乐资讯类栏目中一枝独秀,领跑全国,是辽宁卫视唯一一档以报道娱乐动态、解读文化现象、重温经典作品为内容的专题栏目。以东北独有的幽默文化为立足点,全面整合辽视独家资源,时时追踪欢乐经典、明星动态、片场报道、幕后故事,深入挖掘经典瞬间,诙谐解析最新流行资讯。通过具有时代精神的原创访谈、短剧拍摄,探究流行文化背后的大众脉搏。
更新20241029期
第十二个人
2017 7.0分 剧情片
本片根据真实故事改编,第二次大战期间,12名挪威破坏小分队潜入了德国在挪威境内的驻扎港,实施代号为“红色马丁”的破坏计划,11人被捕,第12人得以逃脱,并将秘密文件带回英国……
已完结
小丑2:双重妄想
2024 8.0分 剧情片
影片延续前作剧情,故事从“小丑”亚瑟(华金·菲尼克斯 饰)被捕后展开,他在狱中等待着审判日的到来。然而,就在亚瑟与自己的双重人格缠斗之时,他不仅偶遇真爱,甚至还释放出一直潜藏在内心的旋律。
HD

《倒计时》剧情介绍

6080提供影视作品倒计时高清全集在线观看的影视全集网,剧情片《倒计时》全集作品的导演是大卫·格瑞尼   ,由珍妮·艾加特  布莱恩·马歇尔  Clare Sutcliffe  西蒙·沃德  主演,倒计时在豆瓣的评分为9.0,本片由小编于2024-10-29 10:53更新,希望大家喜欢,可以把《倒计时》推荐给你朋友,本作品的地址为 https://www.vv888.cn/movie/39561.html

《倒计时》简介:The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R.

加载中...